I read voraciously when I was a kid. I miss younger me and how easy it was for me to get engrossed in a book and the admirable pace I could devour them. The Westing Game was one of my very favorite books read, of the very many books I was capable of reading back then, and so when I happened across a copy, I wanted to see if the magic was still there. Short answer, no, it appears I've aged and my reading tastes have changed a good deal since I was in middle school (shocking, I know!), but it was still fun to revisit one of my old favorites.
As The Westing Game begins, a large group of tenants is moving into their new home, upscale apartment building Sunset Towers. Little do these tenants know, as they come to inhabit their new abode, that their being brought together is anything but coincidental. On a hill near Sunset Towers lives the mysterious Samuel Westing, paper magnate and the town's namesake. Well, at least he did live there until his life was ended by some nefarious means. From beyond the grave, however, Mr. Westing wants to play a game of inheritances, one that will reveal his murderer is too close for comfort. The Sunset Towers tenants are his heirs, but one is also a murderer, and only one will win Mr. Westing's game and a staggering inheritance.
What ensues is a fast-paced mystery with a 16 murder suspects who each have their own secrets. Younger me would have loved the many moving parts and the elaborate puzzle Raskin creates. Even having at one point read the outcome, I couldn't guess at the truth. Older me was a little baffled by the shear abundance of characters. In such a short book, it feels impossible to get a picture of any of them that is more than the briefest of caricatures. Older me prefers character development over a briskly moving plot, apparently.
Nonetheless, The Westing Game is a classic of children's literature, and it's aged surprisingly well. To read it, you'd hardly guess it was first published over 40 years ago. The shin-kicking perennially neglected but good-hearted Turtle Wexler makes a great heroine for kids to root for. As for the adult characters, it's funny to read this book as an adult and realize how recognizable some of these caricatures are from life - the self-important judge, the single-minded track star, the know-it-all intern, the bashful bride who wanted something more from her life, and the insecure person whose continuing efforts to get noticed by her peers make her that much more forgettable - they're all here.
The Westing Game is a clever, fun book that I wouldn't hesitate to recommend to a new generation.
"She has spent most of the day reading and is feeling rather out of touch with reality, as if her own life has become insubstantial in the face of the fiction she's been absorbed in."
After You'd Gone - Maggie O'Farrell
Monday, June 24, 2019
Monday, June 17, 2019
Praise Song for the Butterflies by Bernice L. McFadden
Abeo Kata lives a charmed life in Port Masi, a city in the fictional country of Ukemby. Her mother was a model and her father is a well-compensated employee of the government treasury. After her grandfather dies and her father brings her widowed grandmother to live with the family in Port Masi, Abeo's perfect childhood begins to crumble. Her father's job is in jeopardy as he stands accused of embezzling, her little brother's health is failing, the family car is broken down, and the house is springing leaks. While Abeo remains sheltered, her father finds himself being crushed by the weight of this reversal of fortune such that when his mother suggests the old custom of giving Abeo as trokosi to appease the gods and save the rest of his family from ruin, he gives in to the pressure, and Abeo's new, tortured life as a slave of the gods begins.
McFadden's storytelling really shines at the beginning of the book when she is drawing out the idyll of Abeo's childhood. Well loved and ignorant of the troubles beginning to brew among the adults in her life, Abeo is insulated in her perfect life. The childlike joy Abeo feels on adventures with her visiting aunt Serafine makes it all the more potent when her perfect life is torn away and she is enslaved at the religious shrine.
After that, things get kind of strange. McFadden's writing style is blunt and simple. The book reads quickly moving from plot point to plot point with little embellishment. In fact, McFadden's writing is so straightforward at times it seems nearly artless. In the parts where Abeo is enduring torture at the ends of the "priests" at the shrine, this comes across as stark and affecting. However, in later parts of the book, it seems to gloss over the details of Abeo's recovery, oversimplifying the struggle of recovering from unspeakable trauma.
There are parts of this book that really shine. It is a compelling, unputdownable read on the surface. However, it doesn't seem to stand up to much reflection. Under scrutiny, it doesn't seem to come together all that well as a whole and the unusual writing style doesn't seem altogether appropriate to the story being told.
(My copy provided by the publisher via LibraryThing's Early Reviewer program.)
McFadden's storytelling really shines at the beginning of the book when she is drawing out the idyll of Abeo's childhood. Well loved and ignorant of the troubles beginning to brew among the adults in her life, Abeo is insulated in her perfect life. The childlike joy Abeo feels on adventures with her visiting aunt Serafine makes it all the more potent when her perfect life is torn away and she is enslaved at the religious shrine.
After that, things get kind of strange. McFadden's writing style is blunt and simple. The book reads quickly moving from plot point to plot point with little embellishment. In fact, McFadden's writing is so straightforward at times it seems nearly artless. In the parts where Abeo is enduring torture at the ends of the "priests" at the shrine, this comes across as stark and affecting. However, in later parts of the book, it seems to gloss over the details of Abeo's recovery, oversimplifying the struggle of recovering from unspeakable trauma.
There are parts of this book that really shine. It is a compelling, unputdownable read on the surface. However, it doesn't seem to stand up to much reflection. Under scrutiny, it doesn't seem to come together all that well as a whole and the unusual writing style doesn't seem altogether appropriate to the story being told.
(My copy provided by the publisher via LibraryThing's Early Reviewer program.)
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