- I think my department at work may have an advanced degree in Drama Production. And Stupidity. That too.
- I just finished the first whole book of short stories I've read in my entire life. Wait, maybe I'm lying. There might have been one other one. I didn't love them, but I did really like them which is a major step forward in my quest to like short stories.
- You would think that selecting a book of short stories for review would be foolhardy for someone as on the fence as I am about short stories. But why would I let reason and thinking stop me?
- I want to stop acquiring books at such an alarming rate, as in, I actually have an honest desire to stem the tide of incoming books. But then I get so depressed every day when I don't get any in the mail. Maybe I should keep getting books, open them up, keep them for a week, and then mail them back? Would that work, do you think?
- I wish I didn't live with people who love air conditioning as much as I love fresh air.
- I've been watching back episodes of Weeds on DVD. Tell me, please, where do they find this music? I finally got all the "little boxes" out of my head only to be replaced today by the disturbingly quirkly "Satan, Satan lend me a dollar." Now, there's a song I want to get caught singing in public.
- I think I'm ready for a little more randomness in my reading.
"She has spent most of the day reading and is feeling rather out of touch with reality, as if her own life has become insubstantial in the face of the fiction she's been absorbed in."
After You'd Gone - Maggie O'Farrell
Thursday, August 26, 2010
Sunday, August 22, 2010
Cars From a Marriage by Debra Gallant

"I've always thought of cars as places to die. That's what high school driver's ed did to me."
That's the oh-so-catchy opening of Debra Gallant's tale of marriage as told through cars. We first meet Ivy Honeycutt just as she has transplanted herself from the Virginia of her upbringing to a New York City that's not quite made up of the Hollywood myths she'd imagined. When she attends a supposedly free open mic comedy night that ends with two $4 Diet Cokes she can't afford, she finds herself being rescued from humiliation and total meltdown by Ellis Halpern, a stand-up comedian and a rare New York City car owner.
Told in chapters alternating between Ivy's and Ellis's points of view, Cars From a Marriage follows the couple from their initial trip to meet Ellis's mother to their moving to suburban New Jersey to raise their two daughters, one serious and studious, the other pretty and precocious. The chapters, which move along chronologically but skip several years in between in favor of highlighting the more momentous events of the marriage, each begin with the car the couple happens to be driving during that time period, usually one forced on Ellis by Ivy's well-meaning Buick dealer father. Soon Ellis is in L.A. more and more often grooming new talent for his PR agency and Ivy is returning to writing school, and the couple's marriage is becoming something they'd never dreamed of.
Cars From a Marriage is a deceptively easy read with a serious story to tell. Gallant's writing flows easily from event to event and captures the nuances of a marriage that sows the seeds of its own struggle from its very first stages. The writing is uncomplicated, at times laugh out loud funny, at others terribly sad and ironic. The ease with which Cars From a Marriage reads would almost lead you to believe that it's a fluffy story, but it's certainly not. It's a far more serious story about a woman whose fears and insecurities have kept her from living and a man who loves his wife, but always envisioned a bit more for himself than a needy housewife, two kids, and the controlled chaos of suburbia.
Perhaps it was the easy, uncomplicated writing style that always had me expecting fluff when there was none to be had, that made it possible for the ending to catch me unawares. It was abrupt and not quite what I was expecting. I thought that the end of Ivy's story could have done with a bit more fleshing out, thought I also fear that had it been fleshed out, it might have taken the focus away from the marriage and put it only on her, which I don't think was the intent. Ultimately, though, despite the unexpected end, I enjoyed Cars From a Marriage. It's a compulsively readable and honest exploration of an imperfect marriage that is as smart and perceptive as it is entertaining.
(Thanks to the author for sending me a copy for review.)
Tuesday, August 17, 2010
Nory Ryan's Song by Patricia Reilly Giff
I have a problem. I keep starting series. I was never much of a series reader, rarely the sort to be on the lookout for that second, third, fourth book. It just seemed a little too much work, not to mention too much of a committment for me! Unfortunately (or is it fortunately?) this year seems to be the year of the series for me. I've read more than a few series starters this summer, mostly unintentionally. It's often not until I finish a book that I realize it's got a sequel and sequel to the sequel and a sequel to the sequel's sequel. It's a frustrating place to be in because I want to know what happens, but I also want to get my book acquiring under control, but what to do in the face of all the series books?? With Nory Ryan's Song, I've managed to do it again!
Nory Ryan's Song is the first in a trilogy about an Irish family leaving Ireland for Brooklyn, New York amid the catastrophe of the potato famine. Nory Ryan and her family live in an Irish glen by the sea. There they are oppressed by an English landlord who is always seaching for the simplest excuse to evict his tenants to make way for grazing sheep, a far more profitable venture than collecting rent from struggling Irish families who are barely scraping by on the income from their potato fields.
When, in 1845, the potato crop succombs to a blight that rots the potatoes before they can be harvested, it doesn't take long for the landlord to come collecting the rent and finding money wanting, to begin evicting families who have nowhere to go. As food becomes scarcer and their neighbors begin to starve, Nory and her friend Sean Red Mallon know that there is one hope for them: to follow their older siblings to Brooklyn in America and a better life.
Nory Ryan's Song is great historical fiction for younger readers that will introduce them to a crushing time in Irish history and opens a window into the Irish immigrant experience. Even as an adult, I really appreciated this tale of strength in suffering at a time when the only way to save yourself was to plunge into the unknown with only hope to sustain you. The quickness with which Nory and her family as well as her neighbors go from ekeing out a living to starving to death was a revelation even to me. The cruelty of English landlords and their reasons for it was unbelievably despicable.
Nory is a great narrator and perfect glimpse into this time when, even as a child, you had to be strong and self-sacrificing to survive. Her love for her home and her neighbors are evident, but so are her hopes and dreams for an almost mythical better future in an America where, people say, the streets are paved with diamonds. Nory's life and the difficult choices she must make are a heartrending and convincing, as well as accurate, picture of the immigrant experience.
Nory Ryan's Song is a sad but also so hopeful story. I'm totally in love with Nory, and I know, despite my determination to stop buying books with such reckless abandon, that its sequel, Maggie's Door, is in my future. I can't wait to see what the journey to America has in store for the captivating Irish characters Giff has created to fill in the gaps in the story of her own family's origins.
Nory Ryan's Song is the first in a trilogy about an Irish family leaving Ireland for Brooklyn, New York amid the catastrophe of the potato famine. Nory Ryan and her family live in an Irish glen by the sea. There they are oppressed by an English landlord who is always seaching for the simplest excuse to evict his tenants to make way for grazing sheep, a far more profitable venture than collecting rent from struggling Irish families who are barely scraping by on the income from their potato fields.When, in 1845, the potato crop succombs to a blight that rots the potatoes before they can be harvested, it doesn't take long for the landlord to come collecting the rent and finding money wanting, to begin evicting families who have nowhere to go. As food becomes scarcer and their neighbors begin to starve, Nory and her friend Sean Red Mallon know that there is one hope for them: to follow their older siblings to Brooklyn in America and a better life.
Nory Ryan's Song is great historical fiction for younger readers that will introduce them to a crushing time in Irish history and opens a window into the Irish immigrant experience. Even as an adult, I really appreciated this tale of strength in suffering at a time when the only way to save yourself was to plunge into the unknown with only hope to sustain you. The quickness with which Nory and her family as well as her neighbors go from ekeing out a living to starving to death was a revelation even to me. The cruelty of English landlords and their reasons for it was unbelievably despicable.
Nory is a great narrator and perfect glimpse into this time when, even as a child, you had to be strong and self-sacrificing to survive. Her love for her home and her neighbors are evident, but so are her hopes and dreams for an almost mythical better future in an America where, people say, the streets are paved with diamonds. Nory's life and the difficult choices she must make are a heartrending and convincing, as well as accurate, picture of the immigrant experience.
Nory Ryan's Song is a sad but also so hopeful story. I'm totally in love with Nory, and I know, despite my determination to stop buying books with such reckless abandon, that its sequel, Maggie's Door, is in my future. I can't wait to see what the journey to America has in store for the captivating Irish characters Giff has created to fill in the gaps in the story of her own family's origins.
Labels:
book reviews,
fiction,
Patricia Reilly Giff,
young adult
Sunday, August 15, 2010
A Dose of Random Randomness #3
- This is what I do when I should be writing book reviews or at least typing book reviews. You realize that, right?
- Have you guys read David Sedaris's piece in the August 9th issue of the New Yorker? (If you haven't and you're a subscriber you should.) It seems especially timely given the recent incident with the flight attendant who'd had enough. It's hilarious and intelligent and true in a way I would never have thought of myself. I should probably really read this guy's books. Also, if I'm not careful people are going to starting thinking I actually read my New Yorker issues instead of letting them pile up in dusty corners....
- I think last night was the first time in a long time that I stayed up well past midnight to finish a book I couldn't put down. Neal Shusterman's Full Tilt, if you were wondering.
- That last item results in my now being "officially" 2 months ahead of my reading pace from last year. I know that seems really good, but you should probably not congratulate me yet because last year I set the reading quantity bar so low that it's possible I could have morphed into a drooling idiot at the beginning of this year and still surpassed it. Okay, yes, fine, I am sort of proud of myself. Sort of. You can congratulate me if you want to. ;-)
- In in an effort to break out of my book reviewing funk, I tried handwriting them. It worked because I churned out 3 half-decent but in need of polishing reviews in, like, an hour. It didn't work because I've, uh, only managed to type one up and now am behind three reviews again already but actually more than three reviews if you count the ones I haven't typed yet. Heh.
- I need a task master. Self-motivating from home is definitely not my thing. This is why I need a "real" job with a boss that's not myself.
- Am I the only one that often feels like doing things like showering and making the bed are a waste of time? I still do the one, but I totally gave up on the other a long time ago. And no I didn't stop showering. Come on now, don't be ridiculous........
- Have you guys read David Sedaris's piece in the August 9th issue of the New Yorker? (If you haven't and you're a subscriber you should.) It seems especially timely given the recent incident with the flight attendant who'd had enough. It's hilarious and intelligent and true in a way I would never have thought of myself. I should probably really read this guy's books. Also, if I'm not careful people are going to starting thinking I actually read my New Yorker issues instead of letting them pile up in dusty corners....
- I think last night was the first time in a long time that I stayed up well past midnight to finish a book I couldn't put down. Neal Shusterman's Full Tilt, if you were wondering.
- That last item results in my now being "officially" 2 months ahead of my reading pace from last year. I know that seems really good, but you should probably not congratulate me yet because last year I set the reading quantity bar so low that it's possible I could have morphed into a drooling idiot at the beginning of this year and still surpassed it. Okay, yes, fine, I am sort of proud of myself. Sort of. You can congratulate me if you want to. ;-)
- In in an effort to break out of my book reviewing funk, I tried handwriting them. It worked because I churned out 3 half-decent but in need of polishing reviews in, like, an hour. It didn't work because I've, uh, only managed to type one up and now am behind three reviews again already but actually more than three reviews if you count the ones I haven't typed yet. Heh.
- I need a task master. Self-motivating from home is definitely not my thing. This is why I need a "real" job with a boss that's not myself.
- Am I the only one that often feels like doing things like showering and making the bed are a waste of time? I still do the one, but I totally gave up on the other a long time ago. And no I didn't stop showering. Come on now, don't be ridiculous........
Thursday, August 12, 2010
The Vera Wright Trilogy by Elizabeth Jolley
Finally, with the help of a pen and a notebook I found my book reviewing mojo, unfortunately, just before falling into a dreadful life funk that actually rendered me incapable of simply typing up all this delicious blog content that I actually wrote in advance of when I need to post it. I've been reading pretty consistently this week, but only because it provides the sort of escapism I feel like my life is sorely in need of just now.
Now, enough of me and my everpresent #blogfail monologue. We've nearly forgotten the good news. I'm reviewing books starting with this daunting trilogy review. I read The Vera Wright Trilogy quite a while ago. June, maybe. It's been sitting on my desk laughing at my helpless efforts to summarize and review it ever since. It defies my best efforts even now, since I'm concerned that my review makes it sound like I was pretty "meh" about the book, but really I wasn't. I liked it. It was just...long. And defies adequate reviewing.

Originally published individually, The Vera Wright Trilogy is Persea Books' compilation of celebrated Australian author Elizabeth Jolley's three autobiographical novels My Father's Moon, Cabin Fever, and The Georges' Wife. Vera Wright is a complex character. She wants love and to belong somewhere but never seems to find her place. She is easily taken in by captivating people that wander into and out of her life, people who have the passion and charisma that Vera always seems to find lacking in herself. She bounces from friend to friend and one romantic entanglement to another as she tries to define herself and carve out a place to belong.
The trilogy follows Vera as she leaves school to become a nurse during World War II, as she bears a doctor's illegitimate child, as she falls in love with both men and women who are forbidden to her. All three stories are told through a haze of memory as if events and people are being plucked from her subconscious and replayed and reconsidered from a distance. The result is a genuine and compelling, if occasionally circuitous, narrative. The lack of a straightforward chronology and an occasional repetitiveness can be confusing, but ultimately, it all works together to create a tone that encompasses the reflective nature of the book.
We are taken along for the ride as Vera examines herself from beyond the immediacy of her life's mistakes and all those events that she can't quite decide were mistakes at all. Jolley's story told through Vera's eyes is spare, crisp, and wise, and The Vera Wright Chronicles reads like a classic opening a window on the life of a woman trying to find her place in England and in Australia during and after World War II.
At more than 500 pages, The Vera Wright Trilogy is a work that requires some patience and perhaps more attentiveness than I've been accustomed to giving books lately. That said, it's a beautiful character study. The uniting of all three works into one volume does great things for the consistent development of this intriguing character. Vera is a character that despite her many flaws and poor decisions, I could relate to on an almost visceral level, and a character that we come to know deeply by the end of the trilogy. Despite her attention to Vera, Jolley never gives her many supporting characters the short shrift, rather she draws clear and penetrating portraits of each of them and gives us reason to see why, however bad they might be for her, Vera can't help but be attracted to them, and have the course of her life altered by them.
The Vera Wright Trilogy is a rich and layered reading experience. It's a brilliant study of character and memory. It's a book to let yourself get lost in.
(My copy provided by the folks at Meryl Zegarek PR. Thanks!)
Now, enough of me and my everpresent #blogfail monologue. We've nearly forgotten the good news. I'm reviewing books starting with this daunting trilogy review. I read The Vera Wright Trilogy quite a while ago. June, maybe. It's been sitting on my desk laughing at my helpless efforts to summarize and review it ever since. It defies my best efforts even now, since I'm concerned that my review makes it sound like I was pretty "meh" about the book, but really I wasn't. I liked it. It was just...long. And defies adequate reviewing.

Originally published individually, The Vera Wright Trilogy is Persea Books' compilation of celebrated Australian author Elizabeth Jolley's three autobiographical novels My Father's Moon, Cabin Fever, and The Georges' Wife. Vera Wright is a complex character. She wants love and to belong somewhere but never seems to find her place. She is easily taken in by captivating people that wander into and out of her life, people who have the passion and charisma that Vera always seems to find lacking in herself. She bounces from friend to friend and one romantic entanglement to another as she tries to define herself and carve out a place to belong.
The trilogy follows Vera as she leaves school to become a nurse during World War II, as she bears a doctor's illegitimate child, as she falls in love with both men and women who are forbidden to her. All three stories are told through a haze of memory as if events and people are being plucked from her subconscious and replayed and reconsidered from a distance. The result is a genuine and compelling, if occasionally circuitous, narrative. The lack of a straightforward chronology and an occasional repetitiveness can be confusing, but ultimately, it all works together to create a tone that encompasses the reflective nature of the book.
We are taken along for the ride as Vera examines herself from beyond the immediacy of her life's mistakes and all those events that she can't quite decide were mistakes at all. Jolley's story told through Vera's eyes is spare, crisp, and wise, and The Vera Wright Chronicles reads like a classic opening a window on the life of a woman trying to find her place in England and in Australia during and after World War II.
At more than 500 pages, The Vera Wright Trilogy is a work that requires some patience and perhaps more attentiveness than I've been accustomed to giving books lately. That said, it's a beautiful character study. The uniting of all three works into one volume does great things for the consistent development of this intriguing character. Vera is a character that despite her many flaws and poor decisions, I could relate to on an almost visceral level, and a character that we come to know deeply by the end of the trilogy. Despite her attention to Vera, Jolley never gives her many supporting characters the short shrift, rather she draws clear and penetrating portraits of each of them and gives us reason to see why, however bad they might be for her, Vera can't help but be attracted to them, and have the course of her life altered by them.
The Vera Wright Trilogy is a rich and layered reading experience. It's a brilliant study of character and memory. It's a book to let yourself get lost in.
(My copy provided by the folks at Meryl Zegarek PR. Thanks!)
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